Have you ever felt there was a fight going on inside you as to who you really are?

"Have you every felt there was a fight going on inside you as to who you really are?"

Flame Roses from the Red Nebula- by Stephanie Tihanyi
(copyright held by artist)

I read this line somewhere and thought to myself, 'have I ever not!'.
Actually all the time, for years since I can remember. So what's it called?. Identity confusion. A couple of words that mean a whole lot more than these two mere words. An experience that is so difficult to describe to anyone else, even if one where motivated to do so, which nearly always is not the case. Why?, because instinctively you know others have no reference of experience to grasp this experience themselves. Most are unable to comprehend it. Also you know it sets you apart from others and so is shameful and to be kept hidden for fear of being thought crazy or a liar who is making it up. Neither is desirable. Especially when you feel you need people and fear social rejection like I do.
It is my aim to examine and put into words this life-time covering affliction that is so difficult to describe. I do so for the very first time.

I do so firstly for me, because if tomorrow I get hit by a bus, something that that's been real and hidden about me will be stated in the real world for once. I have lived with a denial about half my inner life for so long, I hear the arguments in my head that its not real ie:, "just forget ta 'bout it", but I have come to the conclusion that if my experiences are not real, then most of my life is not real and I am not real and I know that this is not so. So what the hell, here goes,

I have always felt divisions in myself, deep divisions, like fissures or chasms, from where up comes unnerving anxiety. The anxiety is the fear that the chasm will widen and I will fall apart and disintegrate into it or its simply the realization that the separations may actually exist inside. These divisions are more than an the odd changing thought or emotion. They are all of that and more, each is different, each thinks, while being experienced, that's the real me, the complete me, that this is all of who I am, all my thoughts, my feelings and  ideas about things, dreams, what I find important in life, or not, how I experience life, the world, the people in it.

 This goes on until its replaced. Its replaced by another set, another completely different way of being. I know people say, "yeah but we all go through different emotions and thoughts about life, as life changes so do we ". Yes but for me, these different sets, or ways of being, don't change!. They each stay the same and separate, never merging or joining into a unifying conclusion!. There is never any conclusions. Year after year out, always. some places in me remain changeless, regardless of what goes on outside in my life.

Fortunately somehow I have discovered I have a somewhat separate flexible part of me that manages to evolve enough and "re-configure" but its not without a lot of hard inner work, anxiety and struggle, juggling, patching, paste-ing and re-configuring on the inside, and all without letting any of this show on the outside, even to those closest to me. The last thing I want is for people who don't understand to think me as the freak I feel inside I am.

These separate ways of being, as I call them, don't have names or ages. I don't believe I have Multiple Personality Disorder, I don't suddenly find myself in a bar, dancing on tables in fishnets and high heels, calling myself Shirley or come to, babbling baby talk and standing in a pond lol!. I have never found a wardrobe of clothes I don't remember buying... (though, that could be fun, ..wouldn't mind that). I don't believe people can have more than one personality, but I do believe they can have one that is experienced as divided in varying degrees.

What I do have is:
A persistent and ongoing battle and conflicts between the different ways of feeling and being, especially in regards the best way to handle things, ie my life. sometimes a different way of being will "descend" on me in reaction to something that frightens me and that's usually a reminder or trigger of something in the past, some very strong emotions will emerge from something happening externally or internally. The different ways of being can be very contrasting from one moment to another. sometimes I can experience it like an observer, sometimes I am unaware. It is never  controlled or conscious but is fear driven, impulsive, sudden, like a knee jerk reaction. Its like feeling out of control, the last thought when changing from one state to another is, "Shit!, I got to get out of here". and then all the feelings and way I experienced up to that moment are gone, disappeared, receded and different ones are there. Different information, feelings, jokes, memories, and narratives, that was not there before. Sometimes I feel like, a rider, constantly jumping from one galloping horse to another.
Inner conflicts arise over what I am going to do today, how I will spend my day, I have several different "wants', goals , ambitions, needs. Each feels equally important, some are in opposition and I feel I cannot tell which is important, either or none of them. I constantly experience anxiety, because which ever one action or activity eventually gets done, instead of a sense of satisfaction or achievement, some parts of me feels cheated, ignored and sidelined. This results in feelings of self hate and self anger and identity confusion.

Since I have written this I have learnt about the effects traumatic experiences, PTSD, can have on emotional regulation from Dr Cheryl Arutt. Here is a link to an article on Douglas Ebys blog Creative Mind, with her discussing this issue and its effects on creative people. 
http://thecreativemind.net/203/psychologist-cheryl-arutt-on-mental-health-and-creative-people/




Inner Self Helper, Higher Self, continued

From Out of the Stone - by Stephanie Tihanyi
(all copyrights held by the artist)

The poem I wrote around  1986-9, I cannot remember the exact year. I am sure I had moved to Luton (my birth town) from Bristol. However I know the formations of the poem took hold in my mind, as early as 1984-5, while living in Bristol. It started out as a inner thought or feeling that I had slowly become aware of and that was emerging, A need to find who I really was, my thoughts about myself, feelings, perceptions, opinions about trying to define and have a cohesive and less nebulous concept about my identity. At that time my sense of self was ill defined, if it existent at all. Constantly shifting, contradictory, changing and shifting, intangible like spiraling smoke. I related and operated in the world like someone on auto pilot, stoned, dazed, unconscious, like someone in shell shock, numbed out and distant but super sensitive at the same time.
The poem starts with an observer walking past a derelict structure, a house? a crumbled derelict ruined house. They stop to watch a magical entity or being slowly emerge and take form from the cracks, stains  and shapes in the crumbling plaster and bricks. Years later, I understand the Jungian interpretation of house in dreams and the unconscious, is the self, the personality. Mine felt ruined and neglected, but now out of it, something marvelous and magical was emerging, something like an Angel. I say Angel, which is strange because I consider myself in no way religious at all. This alien being comes through silently, without word, unannounced, no birth cry, its not being born, its emerging, like it was always there, always existed, hidden, never manifested (to the conscious, the conscious self) before. What was happening is something quite beautiful, mysterious and sublime. The twelve stars about the head strangely alludes to some sort of biblical reference, also is, "the woman clothed with the sun" in Revelations. I was mystified over the Christian imagery, as I consider myself pretty much an non-believer or at least agnostic, least that's what I tell myself. Never baptized, neither parents ever went to church. I always have thought and felt myself more comfortable with  scientific and logical thought than anything else, with a big distrust of religion. Yet I live unaware or un- acknowledging of this deeply spiritual side.  Clearly, this experience demonstrates an existence of a higher self or higher power that somehow I am connected to. For the first time, I got a glimpse that there was something divine in me, some spark, I was not a ruined old shell of a person, there WAS something valuable in side me, even though I may not  always be aware of it, not feel it, or it may be hidden from me most of the time but I have seen it and it has shown me, that I should fight for myself, that I was something worth fighting for.

(The image is a detail from a small tempera painting on wood panel I did at the time)

The Shark, the Shadow, the Fire Cat & the Knife

Shadow and the Firecat - by S. Tihanyi (copyright held by artist)

                                
In the painting, 'The Fire Cat & The Shadow', there are a number of elements at work. They each have significant meanings for the subconscious. Trying to explain them to anyone, even myself is really quite difficult because a lot of the information is kept in the subconscious and therefore locked from conscious awareness. What I am going to try to do is at least to attempt a coherent explanation. The only way I think I can start is to look at each individual element separately and then look at their relationships.



detail of Shadow and the Firecat - by S. Tihanyi
(copyright held by the artist

First I will start at the top of the page. The Shark. A purple shark looms out of the shadows across a deteriorating ceiling of an abandoned derelict old house. A house that is still occupied. I do not like sharks. Sharks frighten me, they have featured in my nightmares many times. They are everything that is perceived as menacing, devouring, dangerous. In my nightmares they have lurked in my dream oceans and also pursued me through several dreams in one night. In one set of nightmares two left the ocean and pursued me up the beach by changing into a half human half shark creatures, (the shark brothers), muscular, masculine steel grey, thick upper torsos and a huge diabolical hammerheads with rows of teeth. They walked slowly and steadily but with an relentless determination. I escaped them in that dream only to see them coming down a city street or over a field on a different night in a different dream and then I would be on the run again. Obviously a fear of masculine sexuality somewhere in there, but sometimes the same symbol can have a different meaning although the emotions of it are the same. The shark in the painting,' Fire Cat & the Shadow' is mainly about all fears and anxieties. The flames (of the Fire Cats wings) have driven it out from the shadows into the light. Fear is now seen, (and felt) it is no longer shut away or lurking in the background denied but has risen to the surface of awareness. So the question I need to ask is this,: who is the Fire Cat serving?. Is it routing and chasing out the Shark, destroying or defeating it or is it the Sharks friend, liberating the Shark (fear) from its prison of shadows?. In this mysterious house, its uncertain where whose allegiances lie.
More later.

The Shadow Self & the Emerging Self in Art

The depiction of the ‘Shadow Self’ in my art work is not easy to put in a few brief paragraphs. What came first, the Shadow Self or the art?  Does art and creativity create the Shadow self or it the other way round?. For me as the early life instincts and personality are born bringing forth a  known Conscious Self, so is the Shadow Self. 

The Angel & The Firecat
by Stephanie Tihanyi
(all copyrights are held
by the artist)

Can the Shadow Self be ‘used’ to enhance your creativity, like a tool and be called on to serve its ends?. I don’t believe it can. The only way most people first become aware of or become in touch with their Shadow Self is in a time of intense emotional and identity crises. You can’t just tap into it when you feel like it. You don’t get in touch with it, it gets in touch with you and when it does you will know it and for most part your reaction to it will not be pleasant. Its going to be at a most difficult and challenging moment in your life. Whatever you are in, you’re way in deep and you are going to be in some sort of life changing emotional crises. You cannot control experiences like that.  

I had not heard of the concept of the ‘shadow self’ until after many years of painting it. At a time of trying to overcome intense emotional problems, I underwent counseling. I developed an interest in psychology, particularly trauma, in an attempt to understand and overcome my chronic inner turmoil and confusion. The best book I read was The Haunted Self, by Ono van der Hart, made clear a lot to me. I came to realize I had been painting disavowed aspects of my personality for years without consciously comprehending it, all I knew was that it was important but did not know why.

I was an imaginative and sensitive child, who began painting and drawing quite early. I found my imagination a refuge and a solace when the violence and abuse in our family home became too much. To protect myself I invented ‘friends and protectors’, I found places to hide, literally and artistically. When my mother finally left, the sadistic bullying and abuse got even worse, there were many days I feared for my life and that of my brothers and sisters. I feared my father may end up killing me, my siblings and or himself. My memories of this time became unreal, dreamlike, in slow motion and fuzzy. Only the strong emotion of overwhelming fear and horror remained until I even put that out of my mind completely. I became frozen and forgetful. Its hard say I grew up, it more true to say, I survived.  Growing up came much later.

I seemed to arrive in adulthood one day. A shell of a person, a house with lights on but nobody home, only ghosts at home. At least I was alive, albeit on autopilot. I had no opinions, no views, no personality, no center; I was what I thought anyone wanted me to be on different occasions. I was a construct. I mimicked bits of people’s behavior in order to engage socially and I began to believe that was me. My sense of identity changed like a chameleon does with its background but with no sense of self continuity. To me it was safer to appear colorless, dull and boring, safe, but very lonely. I continued like this for years. My imagination on the other hand was a rich fantasy world of dreams and magical beings. In real life I began to have terrible nightmares. That was the beginning, of trying to become a true person but it felt like a horrible disintegrating death, this crumbling of the false self.

The Shadow and the FireCat  by
S. Tihanyi
(all copyrights are held
by the artist)

                                Instinctively, I turned to my artwork in search of a true self. I knew the clues were in there somewhere but they were encoded in private symbols.  Magical and fantastic creatures appeared in my art, memories of long ago childish imaginings and self stories. I worked on them, revived them, and drew them obsessively.  They felt more real to me than myself. While working on them, I felt like I might find the secret way to become a real person. Raging tiger cats, winged cats, phoenixes and powerful sphinxes, fighting dragons that were powerful, aggressive, defiant and wild. Looking back now with knowledge, I know these were where I hid the emotions that were too dangerous for me to have or express as a child. Symbols that hid and locked, dissociated parts of a personality, in a secret language that only my subconscious understood. My mind was sending postcards to myself, only it was in code. Still it was therapeutic all the same. I just drew and drew. I invented new characters and developed them. My social skills grew and I became more confident, I began relating to others on a deeper level, though still I was too emotionally fragile to cope with going to art school. I worked cleaning jobs and painted after work.

I showed my artwork to friends who were intrigued. They expected me to know what they meant, but I was just as mystified as they. I secretly hoped each time I showed them to someone, they would magically be able to tell me the meaning but they never did. I began to believe I would never know. It depressed me that I would never know myself and that no one will ever truly know me. I felt such loneliness.  I knew future happiness lay in solving these mysteries. How could I ever really relate to anyone if my feelings, thoughts and sense of self were still a mystery to me, how could I plan or build a future without any sense of continuity?  Many of my emotions were confusing and some I had no concepts or labels for. Likewise my convictions about who I was, my opinions and beliefs’ also shifted. What feeling or belief seemed real one minute was not the next. Only my drawings and the characters in them seemed to know who they were.

When I met my future husband, I finally felt a safe stable place at last. Feeling strong, I made a bold decision to finally face my inner demons. I had developed a good logical mind but did not realize I lacked the skills to handle the unknown emotions that were going to arise and overwhelm me. I jumped right in and journaled about my early painful childhood, the beating and sexual abuse. Anxiety and fear surfaced out of nowhere, it took me by surprise. I took self defense classes to fix that. Flash backs and panic attacks began in training and outside of it. It got worse. I began to fight myself. I evoked the courage and rage encapsulated in the magical creatures I drew. The Firecat was the strongest. When I felt threatened by my  feelings of anxiety and fear, I drew him and studied his picture and drew his power and rage and defiance into myself for protection. I felt I could take on any adversary; I had dragged myself up from nothing, come so far and became strong at last, I would not let anything drag me down and make me helpless  again.

I did not realize that it was my own feelings and self I was fighting against. If my feelings of rage, libido, sexuality, destructiveness and defense had a champion in the Firecat, my feelings of vulnerability, neediness, gentleness, acceptance, love also had a champion, living in the paintings of the Angel. In the painting, ‘The Angel and the Firecat’ you can see their struggle. She strives to control him but he fights back, clawing her side. She is obedience and conformity, acceptable, stable, gentle and depressed. He is wild, aggresive, rebellious, manic and passionate.  I did not understand then that these were self representations, I was a house divided. I painted a new figure of The Shadow in my work, it chilled me, “who the hell was that”, I did not know who it was but I didn’t like it. At times my paintings so unnerved me, I turned them to the wall afraid to look work on them for weeks. I was having a breakdown, I was very scared.

I began to slip into a psychotic depression although I managed to work and keep an outward functioning self. At least  I was good at dissociation. My relationship was on the verge of collapse when I made my boyfriend move out. I became paranoid and feared my boyfriend wanted to harm me. I was getting battling voices in my head all day, arguing over what I thought or felt; I began to have suicidal thoughts. The images of the Firecat became more sinister; it seemed less like a protector now and more like a persecutor. The final crunch came when I woke up from a night of drinking alone to find razor scratches all over my body from another binge of self harm. I was alarmed but a voice came in my head saying, “the Firecat scratched you, don’t be such a pussy” and I laughed, then a voice came “maybe it’s trying to kill you!” and I was scared . I said out loud to myself, “You’re really are in deep shit!”. It was then I realized I had to get some help. Initially I was thought to have schizophrenic spectrum diagnosis but overtime it was clear my problem was trauma related, complex ptsd and emotional deregulation.  With medication and counseling I came back from the brink. Eventually I came off medication altogether but have continued to find talk therapy helpful to remember and address the past and learn to recognize, bear, name, own and tolerate my emotions. I continue to use my artwork to explore subconscious truths about myself. I still paint without total knowledge of the meanings but trust the process that eventually it will reveal itself. I have gained much knowledge in my own psychology and emotions and in turn, that of others. I no longer have loud thoughts and chronic dissociation. I have a more a sense of myself as a whole person, although not seamless, more like a mosaic; at least I see where all the bits begin to fit.

 Looking back, my experiences were kind of inevitable in some way. The instinctual drive for growth and life meant my true self had to emerge. The shallow false self had to crumble, but being a defense, it did not go without a fight; it almost pushed me to the point of contemplating suicide. For me, my imaginary world and its figures, far from being a sign of psychosis, were actually a creative attempt to encapsulate and hold my core self and its representations in a frozen state during a state of trauma. This allowed later retrieval and developmental when a safer environment was perceived such as now.