Sunday, July 12, 2015

Autism, Shame & Society: An insider’s view



The Star-flower Cactus-by Stephanie Tihanyi
(all copyright held by the artist)

Autism, Shame & Society: An insider’s view

Published July 21st 2015 in the St. Maarten newspaper The Daily Herald
 When I was a young teen, a close relative’s child died, leaving behind young sibling, who had just been diagnosed with autism. I remember my father saying, “It was sad, but it was sadder, the wrong one died”. He probably did not mean it, but the time I thought it was cruel and I sensed the shame. I did not know, I too was on the autism spectrum.  This toxic shame permeates society, negatively impacting on the lives of autistic parents, children and adults, in ways far worse than their difference ever could. In an enlightened society, it shouldn’t be that way, but it is. It is through societal attitudes, those of us who are ADHD, dyslexic, or autistic, grow up, learning to feel shame for who we are. Society has perpetuated a culture of fear, shame, and pity around difference, often making it more of a disability than it needs to be. I believe this shame is intentionally and unintentionally manufactured, often by those who profess to care and that discrimination, against the differently abled, is becoming the major cause of injustice and civil rights issues of our time.

I always knew my brain worked very differently, I never knew why. Far from being devastating, being diagnosed was a relief that gave me validation for my experiences. It helped me understand and accept myself enabling me to re-frame my life, in a new positive way. It helped me forgive myself for being ‘stupid’, for being terribly bullied (at home and at school), for being misunderstood, for always struggling to fit in. It answered questions why being social, was always such a mystery and such hard work. It helped me finally come to terms with a lifetime self-blame and low self-esteem. Like many girls on the spectrum, I craved friends but had few or none. I tended to hang on the edge of groups, in order to learn the group’s social behaviors by observation and copying. I learnt to disguise my lack of social skills by being invisible. Like many kids in today’s ‘special education’, I struggled in school, except for art, but art had little merit in school. At 11, I was labeled as ‘a child having below average capabilities’ and was put in the ‘slow-class’ after being bullied. Then one day, I stunned everybody by creating a huge 200 page folder of pressed wild flowers, in my summer holidays, I collected, identified, pressed, catalogued and labeled them with their common and scientific Latin names. People on the spectrum are an odd mixture of strengths and deficits like that. Back then, the ‘slow class’ didn’t mean you got special education or extra support, it meant they left you on your own. I finished school with no qualifications.

 From my teens to my late 20,s, I had such terrible social anxiety and depression. Many jobs, were beyond my ability to cope, because of sensory issues, even talking to others was difficult. Most of my jobs when I wasn't unemployed were in cleaning and washing-up. I had to practice over and over in my head sentences, just to be able to ask for a packet of cigarettes in a store or a bag of fruit at the grocers. It was so hard to get the right words out or intonation in the right order, together with the right body language, without looking totally weird, frightening people or irritating them. I memorized scripts for everything.  Many people on the spectrum do in time develop, abet atypically and later in life.  I eventually got better at engaging with people and even taught myself many subjects I had missed in school, like writing, but art remained my one special passion that I never had to work at. Looking back, I never imagined I would be the person I am now, capable of doing what I do now.

Following my diagnosis, I read a lot, I also talked with other autistic people, read their books, articles, research and blogs. I found a common experience and was stunned by a profound dissonance between how autistic people viewed themselves, their lives and how the rest of society views them, which was shockingly judgmental, negative, inaccurate and unjust.  Right from the start, from the time someone came up with the word ‘autism’ or ‘Asperger’s’, the condition has been judged from the outside, and not from the inside, not as from how it has been experienced. No one really knows autism is, but most in the medical field believe it’s a disorder caused by genetic defects or environmental harm, either way it’s a disease to be cured, that the value of talents attributed to autism, does not outweigh the deficits, and that autistic people and society would be better off if they were not autistic. They see it only in its diagnostic terms, and purely through a deficit model. They use negative words like 'suffers',' disorder', ‘disease’; they make lists of 'symptoms'. Most all their research comes from child studies, even today, adults are an un-researched mystery. The exclusion of adult autistic voices from the process of knowledge production is ethically and epistemologically problematic and has resulted in a horrendous lack of ethics. I see, that society allows the use of stigmatizing and fear-provoking language, to raise money for genetic research for a cure for child autism or even elimination by pre-natal testing

Emotive words are used in 'awareness campaigns like, ‘horror of autism’, ‘epidemic’, 'devastating' describing autistic children as ‘lepers’, ‘lost’, ‘empty’, soulless’ and ‘tragic’,  accumulated in the now infamous, 2009 Autism Speaks video, aimed at drawing funds from big corporate sponsors, shows a small child looking at the camera and a dead zombie-like voice saying:

“I am autism. I have no interest in right or wrong.  I work faster than pediatric AIDS, cancer, and diabetes combined, I will plot to rob you of your children and your dreams….And if you’re happily married, I will make sure that your marriage fails. Your money will fall into my hands, and I will bankrupt you for my own self-gain,” says the video campaign.

These so called ‘charities’, repel all protests and attempts by autistic adults to have any say or voice in policy in their organizations and it’s not hard to see why. This negative and false definition of autism that shapes society’s attitudes of autistics in the 21st century, as ‘scary’, ‘sick’ or tragic’, is being driven by big business at the expense and wellbeing of innocent autistic people and their families. In 2011 of over $314 million that was raised, only 3% went into services support and education and only 1% went into adult services and the rest into genetic research labs.  The biomed movement is no better in its unchecked abuse of ethics in pursuit of funding and the selling of 'cures', many unproven and untested.

The point I make is, the unethical, negative portraying of autistic people, has been successful as a business marketing strategy.  Some of the most extreme Anti-vaccine and anti GMO-crusaders are accused of upping the ante. I have seen the most awful fear-mongering language, shock and awe tactics from this quarter. It’s from this sense of injustice and autistic identification,  I am drawn to defend the wrongful portrayal of all people, who are neuro-diverse. The only way I can do that is to stand up, and speak out, loud and clear.  In the last decade more and more adults from all across the autistic spectrum, across the globe, from all walks of life, scientists, parents, teachers, writers, lawyers, are organizing to advocate for theirs and others human and civil rights. By borrowing lessons from the Black civil rights movement, they are advocating against abuse and discrimination. Best known group is TPGA (Thinking Person’s Guide to Autism) and ASAN (Autistic Self Advocacy Network), both are online.  These are people who see themselves, not a disorder, not broken or inferior, but as a variant within the normal neurological diversity, of the human genome. Their struggles, they attribute to psychological stresses of discrimination, intolerance of their differences, lack of supports and the constant perpetuation of negative myths and stereotyping.   
Sometime ago, I wrote a piece in this paper, trying to correct the many of the myths about people with autism and Asperger’s I had read in it. The false myths of the lack of empathy, lack of conscience, or lack feelings etc are wrong. Recently someone wrote about people with Asperger’s having terrible relationships, of being unimaginative and uncreative. Many people with Asperger’s marry; have children and have long happy relationships, why? Because like everyone else who falls in love, we pick and choose our mates, because they have a combination of positive traits, that are similar to or complement our own. Unimaginative?, uncreative?, I will leave that up to you. . I did not write this as a pity piece, but to inspire others to stand up. To tell them its ok to not let others, who don’t know them, define who they are. So you see the shame of autism, does not come from being autistic, it comes 100% from society. Incidentally, that younger autistic relative went on to university, to major in mathematics and speaks 5 languages.

By coming out, I take that shame and I am giving it back, it never really belonged to me, I don’t need it. Finally at last I can accept myself and like who I am. I will leave you with these words by Wired reporter Steve Silberman, author of 'Neurotribes", who wrote in his book ‘The Forgotten History of Autism: ‘We are still trying to catch up to Hans Asperger, who believed that the cure for the most disabling aspects of autism, is to be found in understanding teachers, accommodating employers, supportive communities, and parents who have faith in their children’s potential.

Stephanie Tihanyi  
 
 



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Monday, October 6, 2014

Continuing the underpainting on the latest painting

Painting "I shall fear no evil" by Stephanie Tihanyi
(all copyrights held by the artist)

For me, to be an artist means being able to see beauty in this world but also being unable to be unaware of the tragedy of the world we live in. As my heart breaks and my outrage ignites over the massacre's, beheadings, slavery and genocide, while the world chooses to stand and watch turns a blind eye to the evil of a religion, I find my paintings becoming very ugly, they now have death, blood and war in them.


I have done some more under painting in the old masters Flemish tradition of egg tempera, this is over an ink and English red earth ground. I hope to have all the under painting done by tomorrow, ready for the first glaze of yellow. I have used my live model sketches for my figure and the plant is a tall frangipani-like, white flowering plant, growing in my garden, of which I am yet to identify.






Painting "I shall fear no evil" by Stephanie Tihanyi
(all copyrights held by the artist)

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Friday, January 24, 2014

Dweller Bettween The Worlds (re-edited)


Painting by Stephanie Tihanyi (all copyrights held by the artist)

The simple, absolute and immutable mysteries of divine Truth are hidden in the super-luminous darkness of that silence which is revealed in secret. For this darkness, though of deepest obscurity is yet radiantly clear; and, though beyond touch and sight, it more than fills our unseeing minds with splendors of transcendent beauty.”- Dyonysiusthe Areopagate


As I posted in my last post, I would write something about my current paintings. Often its not easy to put into words or conceptualize the thoughts about my spiritual interior experiences. A visual art like painting, is a more natural language for the spirit, than the intellectual mind. While it is important to explain what ones work to others, its just as important to explain and comprehend in a conscious way to the self also. By the act of trans-muting my experiences to others, I gain understanding. When one is sensing a spiritual truth or awakening in spirit as I am, it is important to transmute this knowledge down thru the lower levels to the conscious human earthly experience to be fully aware. Spiritual knowledge is a river, it must keep flowing.

Painting by Stephanie Tihanyi (all copyrights held by the artist)
 In my current painting you can sees a woman pouring out a dark liquid from a jug. It is an image I have been attracted to because of its mysterious beauty. It is said, spiritual and mystical knowledge comes into the mind and we create images or symbols as vessels to contain them. Where this spiritual knowledge comes from is hard to say, it seems all around, all directions. I feel sometimes like I am a bowl being filled with something, a kind of information or knowledge, so fast, I barely understand. Maybe not only do we create the symbols for our truths, we become them. I am an artist, I am conduit, I am not a spiritual master or authority, only one simple soul seeking truth, I feel is my purpose to record and communicate things I can only describe as mystical truths and spiritual gifts because as it is explained in Proverbs 11:24-25  "Whoever brings blessing will be enriched, and one who waters will himself be watered".

In my painting a hidden obscured woman is pouring a dark fluid. This dark fluid spirals around her, causing all around her to be brightly illuminated, while the figure and water remain dark. Why is it dark, how can darkness illuminate?
Sometimes the image of a woman (or a man), carrying the water of life, is universally known as Aquarius, the water bearer, or the self appointed world-server. This fits well with my own path as an artist and the deepening commitment I feel to it, not just as work or a job but as a duty and a calling to a path with purpose. This symbol has had long history in human cultures, from ancient Egypt, Sumerian and the around the Mediterranean. This image is also associated with the 17th card of the Major arcana of the tarot. The Star, a symbol of hope and promise. Common sayings like, 'follow my star, wishing on a star, my lucky star' etc., pertain to this. In  ecclesiastical circles it is known as the star of the Magi. In the tarot card, some pictures show a man with a telescope, looking at the stars, and sometimes its called 'the astronomer', but usually it is a nude woman holding two vessels, from one she pours water on the ground to nourish the earth and the other jug pours water into a pool. Above her one large star and seven smaller stars shine. To me this mysterious imagery is reveling the path or space that connects the eternal waters of the subconscious universe to earthly consciousness, in order to draw its healing energies into the everyday world.   
                                         Paintings by Stephanie Tihanyi
                                           (all copyrights held by the artist)
I have tried to show in my painting, the forces that dispense the essence of, the renewing waters of life; that which gives the means of perpetually renewing its creations, after destruction. The Star is a card of faith, and of hope, both in your own power, and in powers greater than your own.

                                           Paintings by Stephanie Tihanyi
                                                         (all copyrights held by the artist)

"Alternative names of this card are “Daughter of the Firmament” and “Dweller between the Waters“. This card corresponds to the path that connects Netzach and Yesod on the Kabbalistic tree of life. We can also attribute to this card the Hebrew letter Hey  and the symbolic image assigned to Aquarius".The Path Of The Star

 In my painting the jug the woman pours out a dark fluid, a spiraling river of dark light into the waters of the firmament. Her body, the jug and water seem to be dark or hidden, but that does not mean it its absent of light, because it illuminates all that it contacts. It is what is known since ancient times as 'invisible light', the 'super-luminous' or 'quintessence'. In the physical universe 'dark light' is merely type light energy wavelength  beyond our visual range. You can detect the 'dark light' spectrum around the base flame of a candle, next to the wick, there is a dark area, then you see the visible white flame light, and then the amorphous aura around the white flame itself.

This darkness does not deny the glory that flows from it. It is nοt the absence of light: rather it is 'more than luminous'. Or again, cοincidentia oppositorum, the coincidence of opposites (which in their very unity remain opposites): the darkness is simultaneously both the brightest light, dark through excess of brightness, and the blackest obscurity because it is 'Tran luminous'.
Likewise the darkness does not deny the Word but reaches the Silence in the very heart of the Word.

 Olivier L  Clément -The Roots of Christian Mysticism;
I intend this work to have three parts, I have pretty much finished the first panel and need only to work some more on the center panel. The final panel that represents the physical universe of matter, is what I am currently working on. These are the most detailed and the longest time I have ever spent on a painting. I have really enjoyed being so immersed in one subject, though the subject seems to develop many themes as it progressed. I have starting and am working on other paintings as well, this is my longest obsession so far. I will keep updates on progress and new insights as I work.
                                 Painting by Stephanie Tihanyi (all copyright held by the artist)

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